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ENTROPICAL LATITUDES

Solo exhibition of works by Carol Anne McChrystal

March 13 - June 20, 2021
Please view from a computer for the full experience.

Click an image tile to enlarge and for more info about the piece.
Please view from a computer for the full experience.

Click an image tile to enlarge and for more info about the piece.


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ABOUT:
Mata Art Gallery is pleased to present “Entropical Latitudes,” a solo exhibition of recent sculpture from Los Angeles-based artist Carol Anne McChrystal. This exhibition brings together for the first time selected works that share a vocabulary around constructs of home and shelter. Informed by life in diaspora, these sculptures are influenced by time spent in familial homelands studying ancestral handicrafts, and in witnessing how these cultural practices are threatened by globalized industry. Referencing emergency shelters and home wares, each of the works play on the tension created when a functional object becomes functionless.


Made from bamboo, tent poles, bungee cords, plastic bags and silicone, her emergency shelters, are designed to be uninhabitable and to transform under the influence of gravity. Collapsing in extreme slow motion over the duration of the exhibition, the shelters reflect on inaction against the climate tipping point and ineffective responses to natural disasters.

Each piece in her ongoing series of hand-made shipping blankets has been quilted at an unwieldy, unusable scale. Manually stitched to the dimensions of a full, standardized bolt of fabric, McChrystal’s obsessive techniques paired with materials that have their origin in plastic results in a meditation on oil extraction, commodity shipping, supply chains and the crisis of overproduction.

Similarly, each piece in her recent series "Pasalubong” (“souvenir” in Filipino languages) takes the form of the woven mat, which are often considered the most basic form of shelter. Following the ethos of “doing the best you can with what you’ve got” that is a necessary part of life in the diaspora, she hand-weaves her banig-inspired objects from non-traditional materials like blue tarp, single-use water bottles, discarded plastic wrappers and other byproducts of oil extraction. She uses these materials both because they are "what she’s got" available in her urban, American landscape, as well as to bring awareness to the economic instability of a migrant workforce created by increasing and intensifying ecological disaster.

Together, these works prompt viewers to ask questions about how extractive industries and climate catastrophe impact differentiated experiences of home and shelter.

PROGRAMMING ARCHIVE
SUPPORT

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Carol Anne McChrystal’s materially-driven sculpture practice uses chemical processes and labor-intensive hand-making to explore the legacy of colonialism and trade, as well as the ways in which the climate catastrophe has compounded these histories of inequity. Inhabiting the tension between Earth’s immense history and the absurdly mundane everyday experience of plastic and labor, her practice consolidates the painstakingly hand-made with mass-produced consumables in order to pry open a speculative space in which to resist the means-ends rationale of late capitalism.

Her work has been exhibited at Asukal Space, Avenue 50 Studio, and Acogedor among others.  She has participated in numerous residency programs, including Skowhegan School of Painting and Sculpture and Zentrum für Kunst und Urbanistik. As part of the collaborative duo Nightmare City, she has created immersive environments that have been exhibited at Alter Space in San Francisco, The Luminary in St. Louis, and Horse & Pony in Berlin among others, and has shown video works at Essex Flowers in New York, MASS Gallery in Austin, and ACRETV in Chicago. Her work has been written about in publications such as ArtForum and Modern Painters. McChrystal’s own writing has been published on the critical arts platform Art Practical, and she recently published a collection of poetry titled, “Entropical Latitudes.”

Born into the dual diaspora of the Philippines and Ireland, she currently lives and works in Los Angeles.


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Thank you for another year of Mata Art Gallery! Please consider donating to help us keep this project going. We're a completely not-for-profit creative space funded by the community. We never ask for submission fees or commissions, & artists receive 100% of their artwork sales. Your donations help pay the artists directly & help us continue to sustain this space.

Please send donations to:
🌸 Venmo: @nicaaquino
🌸 PayPal: @nicaaquino (send as friends & family)
🌸 Cash.app: $nicaaquino666
🌸 Zelle: [email protected]

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  • HOME
  • ABOUT
    • MISSION STATEMENT
    • CONNECT >
      • EMAIL
      • INSTAGRAM
      • YOUTUBE
      • NEWSLETTER >
        • SUBSCRIBE
        • ISSUE 01.09.24
  • GALLERY
    • NOW ON VIEW >
      • QUEERING FILIPINX AESTHETICS
    • EXHIBITION ARCHIVE >
      • 2023 >
        • AND/OR PT. 3 | Acceleration
        • If You Must Know... >
          • Exhibition
          • Programming Archive
      • 2022 >
        • HATAK (2022) >
          • EXHIBITION
          • PROGRAMMING
          • ABOUT THE ARTISTS
          • PRICE LIST
        • KAPWA: Communal Spirit >
          • Exhibition
          • Artist Bios + Statements
          • Price List
          • Opening Reception Recap
        • FOR GOOD?
      • 2021 >
        • While We Are Here >
          • Exhibition
          • Artist Bios
          • Programming
        • HATAK 2021
        • EXHIBITION ROOM >
          • EXHIBITION
          • ARTIST TOUR
        • I Remember 2020 >
          • Exhibition
          • Artist Bios
        • Entropical Latitudes >
          • Exhibition
          • Programming
          • Support
      • 2020 >
        • MERKADITO PASKO 2020
        • UNTOLD PARALLELS >
          • EXHIBITION
          • Artist Bios & Statements
        • QUALITY TIME >
          • Exhibition
          • Artist Bios & Statements
  • PROGRAMS
    • PROGRAMS ARCHIVE >
      • Playing with Palm Weaving
      • Rethinking Land Acknowledgements w/ Steph Littlebird
      • Revolutionizing Our Wellbeing w/ Roseanna Collabella
  • RESOURCES
    • EMERGENCY RESOURCES
    • ANTI-RACISM & BLM RESOURCES
    • JOBS & ARTIST OPPORTUNITIES
    • RECOMMENDATIONS
  • DONATE
    • HOW TO DONATE >
      • ZELLE: info@ mataartgallery.org (preferred)
      • VENMO
      • PAYPAL
      • CASH.APP
    • TRANSPARENCY >
      • ABOUT
      • DONATIONS, EXPENSES, SALES >
        • 2022-23
        • 2020-2021